Our Film was made possible by the generosity and goodwill of over 120 people from all over the world.. On Sunday May 26th, the generosity of spirit continues when Finding Carlton will screen in Zurich, to raise funds for the Future Hope School- Kolkata

We are moved and touched by the desire to use this film to Find Good. Thank you Natasha !

Dokumentarfilms ‘Finding Carlton’, Der Erlös aus der Veranstaltung geht zugunsten der Stiftung „Future Hope“ in Kalkutta , Indien.

„Finding Carlton“: In seinem 75-minütigen Dokumentarfilm ’Finding Carlton’ entdeckt und erforscht der Regisseur Susheel Kurien die wenig
bekannte Geschichte der Jazz-Zeit in Indien zwischen den 20er und 70er Jahren. Die Tanzsäle und Cabarets der wichtigsten indischen Städte
wurden von afro-amerikanischen Jazzmusikern frequentiert, die aufgrund der Rassen-Dikriminierung während der 20er Jahre die USA verliessen.
Die Präsenz der amerikanischen Armee in Kalkutta während des zweiten Weltkrieges und vom US State Department unterstützte Jazz-Touren in
Indien beeinflussten zudem die Popularität des Jazz in Indien.

Diese bisher noch nahezu unbekannte Geschichte des Jazz in Indien wird erstmals von Susheel Kurien in seinem interessanten Dokumentarfilm
‚Finding Carlton’ erzählt.

Der 2012 produzierte Film wurde in den USA am United Nations 2012 International Jazz Day sowie unter anderem am Brampton Global Jazz
& Blues Festival und an den Universitäten Columbia und Rutgers vorgeführt.

Im Juni 2013 wird „Finding Carlton“ in Paris im Musée du Quai Branly in Zusammenarbeit mit der Sorbonne Universität gezeigt.

Weitere Informationen finden sie unter:

Finding Paris – The French Connection


click to enlarge

Between 1950 and 1952,  Calcutta was home to the  “Le premier négre du jazz, made in France” (= The first “black” French jazz musician) – Alix Combelle and the “modern” sound of his sextet – three saxes, and a rhythm section.

We followed up in a  2011 Update with interesting documentation including a photo of the band in Calcutta.

Jhaveri 1955-JazzHot

Next, in 2012- came the French Connection, and our friendship with Stephane Dorin, who shared this documentation written by the remarkable “Godfather of Jazz in India”  – Niranjan Jhaveri, found in  Charles Delaunay and Hughes Panassié ‘s  Jazz Hot Magazine  (1955)

And now in 2013..more news of the French jazzmen in India ? Continue reading

India Screening Updates

We have had some terrific screenings in India –  in Pune, Goa Mumbai and Bangalore.. updates and some feedback – click here for the Facebook Finding Carlton Page

Special thanks to Ashwin Panemangalore, Vicente Costa, Carlton Braganza ,Stanley Pinto and Avijit Mukul Kishore for making these screenings happen..without their efforts and hard work we would not have been able to share our film

And share we did…with new and old friends (and rediscovered old friends) many of whom astonished us by how they had been following the journey of the film ..sometimes right from its inception.. We much much appreciated the response..from a wide audience that included jazz fans,  music lovers, assorted experts on jazz, metal heads, musicians, film buffs, and the just plain curious – (blue) ..

.. Our audiences spanned a wonderful demographic – from teens to the golden years crowd.. and yes many with golden ears- for jazz, for music, and for the joy that it brings when shared in a community.

Every screening was special, with a welcoming and receptive audience, many with wonderful questions, observations and insights into the era, the story and the film.  And indeed we were put to the test by the very astute and intelligent students at Mt. Carmel College, Bangalore !

If there was one highlight screening.. it was the event at Opus , Bangalore.

A fund raiser to benefit the Gina Forever Foundation..and an incredible performance by the Carlton Kitto Bebop Ensemble who flew to Bangalore for this special screening  + performance.

Carlton and the band brought bebop back into Bangalore  with a repertoire that was a tribute to the Book of Bop…and surely would have lit up the even the legendary Five Spot after dark !        For more photos click here on the Gina Forever Facebook Album


We are most grateful and appreciative for the kind words from press and media.. some of which are reproduced below

FInding Carlton -goes back to India

Finally, thanks to the Friends of Finding Carlton, an opportunity to bring the film back to India!

The most uptodate information is available on Facebook Finding Carlton

PUNE October 11- 6.30 pm At the NFAI – National Film Archives of India, co-hosted by the Poona Music Society

PANAJI- GOA – October 13th – 6.00 pm ESG Center, Panaji

BANGALORE October 15 – 6.30 pm at the Bangalore International Center




BANGALORE Oct 17th Mt Carmel College- Mass Comm students 12.30 Pm

BANGALORE October 17 – 7.30pm at the Alliance Francaise de Bangalore, co-hosted by the Bangalore School of Music

BOMBAY – Oct 18- 6.00pm Godrej India Culture Lab

BOMBAY – October 20 – 4.00 PM at the Films Division Complex – FD Zone Documentary series

Please do attend these free public screenings by contacting the host organizations.

For updated schedules.. follow Finding Carlton Facebook


In honor of the Canadian Friends of Finding Carlton – we rerun the Canada Promo as a lead up to the August 11th Screening at the Brampton Global Jazz and Blues Festival. Prior to the screening there will be a 45 minute presentation on the Journey of the Film and Big Bands in Bollywood..archival images, audio and video!

Meeting Marty Napoleon

On June 11th, Finding Carlton screened at the Furman Film Series, courtesy of the Great Neck Arts Center. Our audience was a mixed bag of documentary film fans, jazz folks and the plain curious ..”Jazz in India ?!!”

Our MC for the evening was the delightful Michael Steinman of Jazz Lives!

Among the jazz musicians present was the legendary  Marty Napoleon

Marty had the unique ability to whip a crowd into a frenzy, and he was aptly described as “Louis Armstrong’s exciting pianist.”  His stride piano was a significant part of post WWII New York’s club scene. In 1957 he was a key member of Henry “Red” Allen’s house band from the Metropole. The band featured tenor saxophonist Coleman Hawkins, trombonist J.C. Higginbotham, clarinetist Buster Bailey, pianist Marty Napoleon, guitarist Everett Barksdale, Lloyd Trotman on bass and Cozy Cole on drums.

At 91, Marty is the last surviving member of the Louis Armstrong All Stars.  He has had an extraordinary career as a working and touring musician and more importantly is one of the few musicians of his era who continued to gig well into his 80’s.  From a lineage that has included Earl Hines, and Teddy Wilson.. Marty’s stride piano was distinctive and unquestionably that of a master. Turn up your speakers, and feel the thunder…

He is a fascinating and charming man, with an energy and a zest for life that is unmistakeable. And he loves his music and is joyous in his expression of how richly blessed he is to be a musician.

Marty was very keen on watching the film and it was a distinct honor for us to have him attend.  He had heard about its subject and setting, and although requiring of wheelchair assistance  came to the screening because of its intriguing historical perspective.  He was blown away by the story and the tale of Teddy Weatherford..a fellow stride piano pioneer..and he was fascinated by this jazz story that came out of India. The musicians stories from the film resonated with that of his own life and many others, and were reflective of an era that has passed by, both for him and many others.

But what got him most excited was the film’s tribute and recognition of the role of Herb Flemming …The 50’s club circuit had brought Herb back to New York and Marty had worked with him in an era of working bands and regular gigs on Swing Street “I knew that guy well” said Marty, ” I played with him !”  A connection by way of Brooklyn to Calcutta!

This is the video sequence on Herb Flemming

Left to right: Don Varella, Stan Johnson, Marty Napoleon, Fraser MacPherson. Penthouse, Vancouver, B.C. April 4, 1952. |Source=[ Marty Napoleon 1952] |Date= 1952 |Author=Courtesy of guyman22

Both these men came from a different time.. when clubs and audiences offered livelihood and appreciation , and the combination propelled musicians to new heights and innovation. Marty’s world was the flourishing jazz scene in the United States and Europe, a working and touring musician with New York as his “gig central”.

Flemming was a nomad.  Indeed, he was one of the early internationalist’s  of the jazz,  and his travels took him from New York to France, and then to South America, Shanghai, Calcutta and Ceylon as well as the nightclubs of London!  He was truly the first great jazz ambassador.

And it was India where members of Flemming’s International Rhythm Aces found new homes, and new careers…and some stayed on to create India’s jazz generations..All told in the Film ..FINDING CARLTON – Uncovering the Story of Jazz in India

And to close..listen to this inspiring message from Marty on his 90th birthday…

June 11th – Next Screening

Our next Screening is on June the Furman Film series  Image

The Furman Film Series presents a sophisticated cross-section of powerful and thought-provoking independent, art, classic, and foreign films. The series mainly hosts sneak previews of highly anticipated films prior to their theatrical release dates followed by a discussion with a relevant speaker who provides exciting insight into the film and subject matter.

Our moderator will be the irrepressible and knowledgeable editor of Jazz Lives – the one and only Michael Steinman

Here’s what Michael “had to say about FINDING CARLTON after my first viewing.”

Even people who are not terribly interested in jazz in the intricate ways some of us are will also find much to admire in the portraits captured in it.  And the jazz-fanciers in the audience sat up, enthralled, throughout it. 

The film concentrates on two musicians: guitarist Carlton Kitto, who found himself entranced by the sound of Charlie Christian on the records his mother played at home while she cooked or cleaned — and Louiz Banks, a Grammy-nominated producer and jazz pianist.  Carlton takes our attention and never lets it go, both because he swings delicately yet powerfully, and because he is a sweetly endearing character. 

Unlike some documentaries I have seen where the story is compelling yet the characters are off-putting, everyone in the audience fell in love with Carlton, his sweet sincerity and his devotion to his music.  It did not surprise anyone that when Carlton got pushed on stage when the Ellington orchestra played a concert in India, that Ellington himself warmed to the young guitarist, invited him to sit in, and that Carlton improvised six choruses on SATIN DOLL with the band.  I’m only sorry that the Duke wasn’t able to hire Carlton on the spot and take him on tour.

FINDING CARLTON is full of the results of the most fascinating archival research, but it is not simply a film for those people whose heads are full of record labels and matrix numbers. The fruits of that research are vivid onscreen, in the photographs, sounds, colors and textures of the Indian jazz scene from the Twenties onward — with quick but telling portraits of deeply inspiring players including the world-class pianist Teddy Weatherford, the elusive trombonist Herb Flemming. The stories Sushiel has uncovered talk of Larry Coryell and Billy Taylor, of Louis Armstrong, Dave Brubeck, of jamming with Sonny Rollins in an ashram. As well as these famous names, we encounter people and players who go straight to our hearts: the first-rate singer Ruben Rebeiro, the devoted jazz fan Farokh Mehta, singers Pam Crain and Christine Correa — we watch the radiance on Christine’s face when she is able to hear a broadcast of her father’s band for the first time, music she heard as a child but never knew existed.

Kurien has a splendid eye — even though this is his first film — for the little human details that bring both individual characters and a larger world (now, perhaps no longer quite so vibrant) into focus and into our hearts. FINDING CARLTON blossoms with lovely montages of the present and the past, the aural and the visual, the moving and the still. It is respectful but never dull, informative but never preachy or didactic.

I urge you to make a small jazz pilgrimage to see it: it is fully realized, lively, and deeply moving. I came away from it with some feelings of loss: one of the later scenes shows Carlton at a gig in a hotel lounge, playing swing for an almost empty room, but I thought of his resilience and that of the music we love.

For more details, please visit  And here is the link to Susheel Kurien’s blog,

May your happiness increase.

Thanks NY TIMES – India Ink!

Thank you NY TIMES….India Ink !                                Click on Image for the article

We are most delighted that the voice of our film has been shared globally in this portrait of events and happenings at the United Nations on International Jazz Day!

Thank you for reporting that “Finding Carlton, ..had many moments that showcased how jazz bridged cultures and provided a common language of communication”.

….and since we did not aspire to slick filmmaking with budgets to match..forgive us our technical trespasses and lead us not into slick sanitized post-production..and yes, do deliver us from the evil wherein technical perfection overrides human warmth and the honesty of documentary film making.!

Link to the NY TImes article here